UK Fans Wonder if Taylor Swift Will Say ‘So Long, London’ After Eras Tour 

A photo of Taylor Swift is seen displayed at Kentish Delight, the singer's “favorite” kebab shop, in London, Britain June 20. (Reuters)
A photo of Taylor Swift is seen displayed at Kentish Delight, the singer's “favorite” kebab shop, in London, Britain June 20. (Reuters)
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UK Fans Wonder if Taylor Swift Will Say ‘So Long, London’ After Eras Tour 

A photo of Taylor Swift is seen displayed at Kentish Delight, the singer's “favorite” kebab shop, in London, Britain June 20. (Reuters)
A photo of Taylor Swift is seen displayed at Kentish Delight, the singer's “favorite” kebab shop, in London, Britain June 20. (Reuters)

Taylor Swift fans enjoy parsing the singer-songwriter’s lyrics for references to her romantic life and insights into her state of her mind.

But the pop superstar’s fans in the UK didn’t have to listen closely to her latest album, “The Tortured Poets Department,” to get the sense that Swift had soured on the country’s capital city after long making it a regular hangout and then her second home. The record’s fifth track is titled “So Long, London.”

As Swift brings her blockbuster Eras Tour to London’s Wembley Stadium, some Swifties therefore are wondering if they are witnessing the beginning of an extended goodbye. She is performing three nights starting Friday, and is scheduled to return to Wembley for six nights in August to close the tour’s European leg.

London is the only city on the tour where Swift is stopping twice. Some worry the arrangement may represent a swan song of sorts, while others think it just reflects a new era in Swift's bond with the Big Smoke. Whether “So Long, London” turns out to be a final chapter or a bookend to her valentine to the city, the song “London Boy,” Eras is arriving as an emotional milestone.

“Her relationship now kind of assumes London won't be somewhere she will be. It's not like there is an American football player living here,” said Maggie Fekete, 22, a Canadian graduate student who credits the London references in Swift's music with orienting her when she moved to the city three years ago. “I think there will be a lot less London in her music, which is sad.”

For those who haven’t been paying attention, Swift had a series of romances with famous British citizens, starting with Harry Styles in 2012 and ending last year, when she started dating Kansas City Chiefs tight end Travis Kelce. The speculation surrounding “So Long, London” and a mournful companion song that mentions a London pub, “The Black Dog,” stems from the 2023 breakup of Swift and English actor Joe Alwyn, who were together for over six years.

Alwyn is assumed to have inspired “London Boy,” a song from her 2019 album “Lover.” A special-edition “Lover” CD included what appeared to be a January 2017 diary entry in which Swift talked about being “essentially based in London” but trying to lay low. British tabloids later reported that Swift spent much of the COVID-19 pandemic sheltering with Alwyn in north London.

The Sun newspaper reported in December that the multiple Grammy-winner had bought a large property in the area and was remodeling it to be her base in Europe. After Swift released “The Tortured Poets Department” last month, however, a writer for the British edition of ELLE magazine observed that Londoners had an opening “for an all-American A-lister who can slot into her place in our collective consciousness.”

“We had Swift before we lost her to her record-breaking, box office-breaking Eras Tour and now, it would appear that her vacant position has been filled by Zendaya,” writer Naomi May playfully posited before listing the various locations the American actor had been spotted with her longtime boyfriend, British actor Tom Holland.

Either way, the capital is putting on quite a show of its own to make sure Swift and her fans feel appreciated. Guides are offering walking, bus and taxi tours that retrace her footsteps, including a kebab shop whose owner says his establishment is supplying sandwiches for the singer and her crew on Friday.

Before the end of August, Swifties can partake in a full diet of Swift-themed brunches and dance parties, or ride the London Eye Ferris wheel accompanied by a string quarter playing her music. Souvenir stalls in Camden Market, one of the places mentioned in “London Boy,” stocked up on Swift-specific caps, T-shirts, bags and stickers in preparation.

“We’re very proud that London is hosting more shows than any other city on Taylor Swift’s The Eras Tour, a real testament to her love for London,” Laura Citron, CEO of tourism agency London & Partners, said.

Fans started lining up outside Wembley on Thursday in hopes of being among the first ticket-holders to claim spots in standing sections close to the stage. A pop-up tour merchandise store opened in a parking lot by the stadium that morning.

Zachary Hourihane, who co-hosts a Swift podcast called “Evolution of a Snake” and posts YouTube and TikTok videos under the name Swiftologist, said it's too soon to know whether the singer will retain her honorary citizenship or part ways with London. As her fans know all too well, only time will tell with Taylor.

Hourihane notes that Swift started spending more time in London after a difficult year in which she went from winning album of the year at the 2016 Grammy Awards for “1989” to seeing her popularity plummet amid a public feud with Kim Kardashian and Kanye West. From his study of her life in England, he thinks the happy memories she created there come mixed with “a sense of isolation.”

“There is a lot of nostalgia that might have turned into regret,” Hourihane said. “She felt like she was trapped there for a while.”

Fast forward several boyfriends, 10 albums (including the Taylor's Version re-records ) and the Eras Tour juggernaut, and it's not surprising her life is up for reappraisal. Hourihane suspects Swift is “not quite ready to give up on London” for both practical and artistic reasons.

“Taylor is someone who retraces her steps a lot. Things are never really over with her. She likes to revisit things that have finished,” he said. “Let's be realistic about it. Her relationship, even if it is, ‘so long, goodbye,’ she has good reason to be in London and good money to make there.”



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”